Abjection and Taboo Objects in Edward Bond’s Plays
نویسندگان
چکیده
What is most striking about Edward Bond’s plays his unconventional representation of visible forms violence and insanity. His deeply probe political, economic, societal norms values in provocative thought-provoking ways for which he has often been compared to such contemporary British playwrights as Pinter, Brenton, Osborne, Arden who profusely use cruelty their works. This article draws on Julia Kristeva’s theory abjection develops the argument that Bond can be placed within field its diverse manifestations appear taboo objects, abject emaciated, festering bodies sites populate dramatic world.
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ژورنال
عنوان ژورنال: NUML journal of critical inquiry
سال: 2021
ISSN: ['2222-5706', '2789-4665']
DOI: https://doi.org/10.52015/numljci.v19i1.96